Callboard - Open Auditions
Langhorne Players is a non-profit, non-union, all volunteer theater company.
On The Market by Jason Odell Williams
Performance Dates: Aug. 14–30, 2026
PRODUCTION TEAM
Director: Judi Parrish
Producer: Jack Bathke
Stage Manager: Kristin Schrier
Asst. Stage Manager: Ellen Cicchitti
ABOUT THE PLAY
Charlotte, a Long Island real estate agent in her early forties finds herself recently widowed and navigating the awkward world of online dating, but she just can’t shake the bizarre dreams she’s been having. Are they messages from her dead husband, premonitions of things to come, or something more? A snappy New York sense of humor abounds in this sharp-witted romantic comedy where the audience takes a front row seat, witnessing a cavalcade of first dates as Charlotte tries to find her forever home and Mr. Right.
AUDITION DATES
Monday, June 1, 7-9:30 p.m.
Tuesday, June 2, 7-9:30 p.m.
Callbacks, if necessary: Wednesday, June 3 at 7 p.m. (by invitation only)
All auditions (and performances) will be in person at Langhorne Players - The Spring Garden Mill, 1440 Newtown-Richboro Road, Newtown, PA 18940.
HOW TO SIGN UP
After reviewing the information on this page, please sign up for a time slot at: https://tinyurl.com/OntheMarketAuditions.
If none of these times slots work, or to request accommodations, email the director at judi@langhorneplayers.org.
Please arrive 10 minutes prior to your audition time slot and plan to stay for the full hour, though you may be dismissed earlier.
WHAT TO PREPARE
Auditions and callbacks will consist of reading scenes from the script. Callbacks will also consist of readings from the script. Sides will be provided.
Download the audition package (available via SignUpGenius) and bring the audition form and conflict calendar with you to the audition.
ADDITIONAL INFORMATION
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CHARLOTTE: white female, 40s, Jewish American, raised in Israel (no accent)
DIANE: friend and colleague of Charlotte, female 40s, any race. Also plays Eccentric Wife, Rustic Wife, Excited Girlfriend, and Nice Wife. Accents: American, Rural New England, California Gen-Zer
FRANK: friend and colleague of Charlotte, male 40s, any race. Also plays Date #2, Date #4, Eccentric Husband, Chatty Husband 1, Rustic Husband, and Nice Husband. Accents: American, Over the top German, Rural New England
JAMES: Charlotte’s deceased Husband, male 40s, any race. Also plays Grief Counselor, Date #1, Date #3, Mark, Chatty Husband 2, Excited Boyfriend, and Delivery Guy. Accents: American, British or Scottish, Over the top German, California Gen-Zer
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A read-through will be scheduled within 1 week of auditions, and rehearsals will begin very soon thereafter. There will generally be 2 weeknight rehearsals per week and 1 weekend rehearsal per week. for most of the actors. The schedule will be prepared to make the most of the actors’ time.
Actors are required to be available for all of tech week and to assist with load-in on Sunday, July 26th and strike on Sunday August 30th.
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All performances are held at the Spring Garden Mill.
Week 1: Aug 14, 15, 16
Week 2: Aug 20, 21, 22, 23
Week 3: Aug 28, 29, 30
Performance times:
Thursday (8/20): 7:30 p.m. curtain
Fridays: 8 p.m. curtain
Saturdays
8/15 and 8/22: 8 p.m. curtain
8/29: 3 p.m. curtain
Sunday: 3 p.m. curtain
Call time for actors is one hour prior to curtain.
NOTE: All actors are required to participate in a talkback following the 2nd Sunday matinee, as well a set strike following the final performance.
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Please email the director at judi@langhorneplayers.org if you have questions.
MS. HOLMES & MS. WATSON - APT 2B by Kate HamilL
Performance Dates: Oct. 2–18, 2026
PRODUCTION TEAM
Director: Suki
Producer: TBD
Stage Manager: TBD
AUDITION DATES
Sunday, June 7, 12–2:30 p.m.
Tuesday, June 9, 6:30–9 p.m.
Callbacks: By invitation only
All initial auditions will be held via Zoom, by appointment only. The link will be sent the day before auditions.
ABOUT THE PLAY
Sir Arthur Conan Doyle’s greatest detective duo are reimagined in this irreverent comedy filled with mystery, intrigue, and plenty of laughs. American medico, Joan Watson, is struggling to find her purpose in the world and a place to live, when fate, and her low bank account balance, step in, pairing her with an unlikely companion; Sherlock Holmes, herself. Not simply a feminist retelling of an old story. Baker street meets Laverne and Shirley in this fresh take that has punch and panache; with fast-paced hilarity from beginning to end. Holmes’ superlative powers of perception and beguiling eccentricities seem to be just what the doctor ordered, but will they be enough to unravel the game afoot? Sherlock faces the usual obstacles; Scotland Yard’s hapless Inspector Lestrade and a femme fatale with designs on Holmes’ heart. It seems as if Holmes isn’t the only one with clever ideas.
HOW TO SIGN UP
After reviewing the information on this page, sign up for a virtual audition via Sign-Up Genius.
Complete the audition form prior to your audition.
WHAT TO PREPARE
Artists will be asked to present two monologues (one provided from the show and a contrasting one from another source of the artist’s choosing). Memorization not required, but familiarization encouraged.
ADDITIONAL INFORMATION
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There are openings for FOUR artists, two of whom play multiple roles.
PLEASE NOTE: All actors may be asked to participate in physical intimacy such as caressing and/or kissing.
Actor 1: (30s-40s, Fem): SHERLOCK HOLMES.
British. A once in-a-generation genius. Eccentric. Focused, to a fault. Can be less-than sensitive. Always playing psychological 3-D chess; operating on a totally different level than civilians. Like many geniuses, has a megalomaniac streak. Gets bored easily; likes applause; sometimes accused of being unfeeling. LOVES costumes and drama. (Looking for an actor who can flit through lines and beats with razor sharp precision and the energy of a feral raccoon who ran out of ADHD meds).Actor 2: (30s-40s, Fem): DR. JOAN WATSON.
American. Formerly type-A high-achiever. Recently divorced; struggling to find herself, feels broken. Reflexively defensive. Once had a great bedside manner. Sometimes accused of being a loser; is not a loser. Wry. Smart. (Looking for an actor who can bring a sense of exasperated vulnerability and traumatized empathy).Actor 3: (20s-40s, Fem): IRENE ADLER, MRS. HUDSON, MRS. DREBBER, DEAD BODY.
IRENE: A whip-smart, super-charming sex worker Finding success at the highest levels. Always playing psychological 3-D chess; operating on a totally different level than civilians. Has incredible charm, confidence, and wit, and she knows it—uses it without mercy. You may want to be Irene, or you may want to be with Irene; but you can’t ignore her. HUDSON: Holmes & Watson’s long-suffering landlady. DREBBER: seemingly an ordinary housewife. Somebody you would be very wise not to underestimate. (Looking for an actor who can transition quickly between weary marm, to sapphic femme fatale, to unhinged suspect, to dead body, and back).Actor 4: (30s-50s, Masc): INSPECTOR LESTRADE, ELLIOT MONK, & OTHERS (“NARRATOR”).
MORIARTY: A criminal so great you’ve never heard of him. A master blackmailer; knows just when to play his cards. Always playing psychological 3-D chess; operating on a different level than civilians. Wears many masks. A professional. Amoral, but you’d like him. LESTRADE: An inspector new to his position at Scotland Yard. Not very imaginative. Often says the wrong thing. MONK: An amoral tech billionaire from Texas. (Looking for an actor who can pull off and transition from charismatic, to cringey, to creepy, and back).
A note regarding descriptions: Most roles one currently encounters are written with binary pronouns. Please note that however limiting this can feel, our casting process is inclusive and seeks to transcend flawed language. Artists are invited to submit for any role with which they identify. We will list race/ethnicity/age if required for a character - otherwise, we are seeking ALL races/ethnicities/ages. Please reach out with any questions, concerns, or requests for accommodations. Madame Director seeks to cast artists whose energies align with the characters in her productions, and is dedicated to representation and inclusion in all endeavors. -
Rehearsals are Sunday mornings, and Tuesday/Thursday evenings.
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All performances are held at the Spring Garden Mill.
Week 1: Oct. 2, 3, 4
Week 2: Oct. 8, 9, 10, 11
Week 3: Oct. 16, 17, 18
Performance times:
Thursday (10/8): 7:30 p.m. curtain
Fridays: 8 p.m. curtain
Saturdays
10/3 and 10/10: 8 p.m. curtain
10/17: 3 p.m. curtain
Sunday: 3 p.m. curtain
Call time for actors is one hour prior to curtain.
NOTE: All actors are required to participate in a talkback following the 2nd Sunday matinee, as well a set strike following the final performance.
GET INVOLVED
ACTORS
Langhorne Players is a non-equity theater that welcomes new talent who share a commitment to producing thoughtful and provocative plays of the highest quality. Each season we try to offer a variety of plays with an array of challenging roles suitable for a wide demographic. All casting is done through open auditions supervised by the play’s director. Audition times and dates are posted in advance on our website as well as other area theater callboards.
Rehearsals usually run several hours three to four days per week during non-business hours for six or seven weeks, but that may vary based on production needs. Participation in set and prop construction is encouraged but subject to an individual’s schedule and abilities.
If you have a love of acting and an appreciation for thought-provoking plays, please consider Langhorne Players. Email us for more information.
DIRECTORS
Our season for the next calendar year is usually in place by October. Prospective directors are encouraged to read all of the plays in the upcoming season. If you are passionate about a play and would like to direct it, email us. Please indicate which play you are interested in and attach your resume. Interviews will be scheduled for mid-December.
During this interview, the director should share their vision and ideas about the play as well as its production. We look for directors to have a passion for the play and the characters and the story they tell. In addition, directors must be capable of overseeing all aspects of the show including casting, props, costumes, set decoration, sound, lighting, and arranging for a stage manager.
Langhorne Players is a non-profit, non-union, all volunteer theater company.
OTHER OPPORTUNITIES
Langhorne Players is always looking for support in the following areas. If you are interested, send us an email! No experience is required.
Box office and usher volunteers
Set designers
Set builders
Stage managers
Lighting designers
Stage crew